
I've been hitting the theaters an awful lot the last several months. And with
Indiana Jones 4, a welcomed addition to the legendary francise,
Get Smart, a silly (yet hillarious) comedy -- There has been a lot of good movies to see, and more are coming (e.g.
Hancock,
Batman: Dark Knight). Yet, none of these films are likely to exude excellence at the same level as
Wall·E. Before discussing Pixar's new opus, let's get
The Happening out of the way. I am not a professional film critic, so given my great respect for Shyamalan's earlier work, I would not be quick to be-rate this film if it weren't so abysmal.
The Happening is quick to start it's ideological train, which launches with intrigue, questioning the mysterious absence of honey-bees. But it degenerates into a "science teacher" skirting rational thought and resorting to philosophy. The day public education involves a science teacher saying "there are things in nature that we can never explain": we are pretty much doomed. But, what kills it for me is the fact that I paid $10 to watch two hours of people lynching themselves in a myriad of disturbing ways -- with no reward in the end. But, if you had to pick only one movie to see in the theaters this year: see
Wall·E. As one might expect, there is a definite cautionary care-for-the-earth-and-humanity message in this film, but unlike the movie under previous discussion: Pixar takes the high road and actually delivers the message from a more nuanced angle -- very much akin to Mike Judge's
Idiocracy.
Wall·E is a genuinely touching story, a great musical score and stunning visuals. Actually "stunning visuals" is an understatement -- this movie is a visual masterpiece. The scenes involving the robots (including Wall·E) look amazing and with this film's impressive "photography", it is easy to forget that you are watching rendered computer models. Of course, in usual Pixar fashion, other elements of the movie are intentionally stylized such that they don't realistic but, artistically effective. They have always had a knack for taking present limitations in CGI and wielding it towards their advantage: ultimately resulting in a movie that couldn't be better if it weren't animated. The only movie I ever saw twice in the theaters was
Minority Report. Six years later ... this could end up being my second.